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Watch Steph Curtis talk about her job as Company Stage Manager for Kneehigh
“Outward, outward lies the way…”
Anna talks about writing and working on the Kneehigh Rambles.
Interview with Charles Hazlewood, Music Director and Composer.
Carl Grose is a Writer and Associate Artist of Kneehigh.
Interview with Dave Harraway, Production Manager for Kneehigh.
Interview with Actor and Musician Giles King.
Interview with Malcolm Rippeth, Lighting Designer.
An interview with Etta Murfitt, Choreographer and Associate Artist of Kneehigh.
Paul talks about co-producing a show.
Paul talks about producing for Kneehigh.
Sarah talks about working with puppets in Kneehigh shows.
Paul Crewes talks about time management with Kneehigh.
Interview with Mike Shepherd
Interview with Mike Shepherd at the Barns
Mike Shepherd talking about the Kneehigh Barns.
Mike talks about Kneehigh’s rehearsal processes
Mike Shepherd interviewed at the Kneehigh Barns.
Mike shows us his scrapbook that he made during the devising process for Dead Dog in a Suitcase.
A short video of Artistic Directors Mike and Emma, and Chief Executive Paul, talking about our history, our current touring shows, and the Asylum.
Mike Shepherd interviewed at the Kneehigh Barns, talking about adapting The Beggar’s Opera.
Why did Kneehigh and Liverpool Everyman want to co-produce on this show?
Emma Rice talking about rehearsals.
Go behind the scenes on what it is like directing a Kneehigh production with Emma Rice.
Discover the process behind the adaptation of Michael Morpurgo’s ‘The amazing story of Adolphus Tips’ with Emma Rice.
Watch an interview with Stu Barker, Composer and Musical Director for 946.
Watch an interview with performer Patrycja Kujawska.
Watch an interview with Lez Brotherston who was the designer on 946.
Emma Rice talks about the casting process…
Mike Shepherd started Kneehigh in 1980 and has worked almost exclusively for the company ever since.
Paul is the Chief Executive and Executive Producer of Kneehigh.
Poster for ‘Cry Wolf’, 2000.
Some of the original illustrations and ideas for Dead Dog in a Suitcase (and other love songs)
Examples of the set designs by Emma Rice and Bill Mitchell.
Bill Mitchell talks about the challenges of making site-specific work.
Mike, Carl and Charles chat about why they adapted The Tin Drum
A look into rehearsals at the Barns